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reated such paintings were thought of as those without any skills. In fact their style was seen as mess and their idea a radical one. At that time the Académie des Beaux Arts used to preserve the traditional French Art. The French Art namely depicted religious themes, historical subjects, carefully finished images, suppressed brush strokes. On a yearly basis, the Académie used to conduct a juried art show known as “Salon de Paris”. At that time, this used to be a great opportunity for artists to display their works. The jury, who had Académie’s values imbibed in them, used to then judge the works of participating artists and thereby award them with prizes and commission. As a matter of fact, each year works of many young artists used to get rejected because they did not represent the style of Académie.

Young realists Peirre-Auguste Renoir, Claude Monte, Frederic Brazille and Alfred Sisley often painted together and became friends. They all were great admirers of Edouard Manet. In 1863, when the jury of the Académie rejected and condemned Manet’s work, his admirers were outraged. Emperor Napolean III allowed the public to judge the rejected works of that juried art show themselves. In this way the “Salon des Refusés” was organized which attracted many visitors. However, requests for such Salon des Refusés by artists in 1867 and 1872 were refuted. The artists had had enough and in 1873 they arranged for “Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs” so as to display their works independently. The organizers were none other than Monet, Pissarro, Renoir and Sisley. Although, they received critical responses from the critics, they began gaining support from the public. Since that time Impression has been a favorite form among art lovers because of the spontaneity of the Impressionist art.